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How To Shoot a Baby Part 2 by Holly Hines

So, you’ve got Baby posed and surrounded by props — but, where’s his smile? In last week’s post we began discussing baby portraits, what makes them tricky, and how to overcome hurdles. Now that you’re in the know about prep, gear, and posing, you may be ready to dive into some nitty-gritty details. If so, read on! In Part Two, we’ll discuss how to capture the perfect facial expression, and ways to bring emotion through in an image via editing.

Expressions

Babies are full of expressions — open-mouthed wails, yawns, awed gazes and grins, to list just a few. But capturing the right body language at the right moment can be tough with a finicky baby. And some parents are set on getting a smile, regardless of Baby’s mood. In these cases, you’ll need to cover your bases.

If you can’t get a smile right away, capture other expressions that might surprise Mom and Dad. Sometimes a sleepy pout, yawn, or wonder-stuck gaze can be just as cute as smile, particularly when you apply the right edits.

After you get these shots — quickly, to preserve Baby’s mood — go for the golden smile.  To make things easier, you may want to consult Mom and Dad. They know what makes Baby smile, and may be able to clue you in to a particular toy, sound, or tickle that does the trick. If Baby needs you to do something silly — say, “moo” like a cow, or pretend to bonk your own head — get over your embarrassment, and do it!

However, if Baby needs Mom or Dad to inspire the smile, frame around them. Come in for a close-up or a birds-eye (a shot from above) if they’re tickling Baby’s feet. But remember, when you hit the shutter button, you want Baby’s eyes on you. Sometimes I grab Baby’s attention at just the right moment by asking, “isn’t Mom silly?” Any words will do, as long as your tone is loud and upbeat.

Editing

All the editing in the world can’t turn a bad baby picture into an adorable keepsake. But editing can affect the tone of an image. Adjusting color is one way to change tone. Switching to black-and-white or sepia can drastically alter the mood of an image — positively, if applied right. For example, switching to grayscale can reduce any red coloration around Baby’s eyes left over from an episode of tears.

I also like shifting to black-and-white when Baby isn’t looking straight at the camera, but the image is still cute. This produces a more wistful or sentimental-looking picture. Lastly, the stark contrast of Baby’s soft skin against a dark muslin background can be emphasized by a quick switch to black-and-white, particularly when it comes to “naked baby” pictures. Softening the focus in these images, as well, can add to their glowing, fragile feel.

How to Shoot a Baby! (Did We Get Your Attention?) Part 1 by Holly Hines

When it comes to baby portraits, getting good pictures is like taking candy from a baby, right?  But — is this really true? Some baby sessions are easy. Others…not so much. Keeping baby awake, attentive, and happy can be challenging. Thus, we offer a two-part post on the basics of baby portraits! In Part One, we’ll discuss preparations, posing, props, and equipment. Later, you can check back for more on expressions and editing.

Preparations

When booking a baby shoot, I find it’s wise to ask Mom and Dad exactly what they’re envisioning. Often, parents have their own vision of the “classic” baby picture in mind, and it’s in your best interest to understand their interpretation of that image.

Also, see if they want pictures of Baby in more than one outfit. If time is a concern, suggest they stick to one outfit, or a single outfit plus “naked baby” pictures. Some babies cry during outfit changes. To avoid shots of a red-faced infant, you’ll need to schedule time for tear-drying, or just keep things simple.

Lastly, remind Mom and Dad to be mindful of scheduling around feedings and naps. Sessions run smoother when Baby is well-fed and alert (unless Mom and Dad are looking exclusively for “sleeping baby” images — in which case, as long as Baby is handled gently, naptime may be the perfect time).

Posing, Props and Equipment 

What do you need on hand for a Baby shoot, besides your studio basics?  For “naked baby” or “diaper” images (lots of parents want these pictures), be prepared with a space heater or a hair dryer to keep Baby warm.

You’ll also want a noise-making toy to lure Baby’s eyes to the camera. And, to keep your hands free for grabbing Baby’s attention, you may want to set up a tripod and shutter release. This way, you can lean close to engage Baby without having to bounce back to the camera.

Once prepared with these items, you’ll want to consider posing. For younger infants, parents may want to see Baby lying on his or her tummy, head propped on the fists or lying against Baby’s arms. But be mindful of Baby’s capabilities. If Baby can’t lift his or her head, don’t push to the point of tears. If Mom and Dad are set on this pose, come back to it at the end. In the meantime, capture other cute shots. With proper encouragement, Mom and Dad will often abandon unrealistic visions, once assured you’ve got other adorable pictures.

In most cases, Mom and Dad are tracking Baby’s growth and abilities. If Baby just learned to sit up, focus on sitting poses. Likewise, if Baby can stand with support, you may need a posing block, small chair, wooden chest, or other sturdy item to show off Baby’s feat. Which brings me to my last point: props. Stuffed animals, flowers, blocks, and birthday cakes can enhance an image, particularly if Baby is restless or inattentive. Parents will  like these images more if they bring sentimental props from home. So, try capturing candid shots of Baby engrossed in these props.

That wraps up Part One. Be sure to check back for more information on facial expressions and editing tips!