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Clamshell Glamour Lighting Made Easy

 

So yeah, last week I’m sitting at the hair salon place waiting to get my hair chopped off and I become instantly bored (my mind wanders) so I start flipping through the magazines in the waiting area.  Of course there were TONS of hair and makeup pics splattered throughout, and while my friend that was with me (pictured above) was checking out all the hairstyles, I (being a complete camera nerd) found myself trying to figure out the lighting setups for the shots!  I noticed that the majority of what i saw was the glamour style headshot done with a basic clamshell lighting setup.  It’s a totally simple technique I haven’t had to use in a little while that requires minimal setup and produces really really cool results, so I thought I would revisit it and show you how it’s done!

First you need to find a head to stick in the frame.  At my home studio I used myself (using an intervalometer) and grabbed my friend.  When I got back to the shop I was lucky enough to pull Allea out of the lab for a quick shot.

 

 

For all of these shots, I was using a DSLR with a 85mm lens (my personal favorite for headshots in tighter rooms).  The nifty50 works really well also but you will be a bit closer to your subject.  The idea is to fill the frame with the model’s head.  You don’t need or want too much “dead space”.  With a compact camera, just zoom in a bit.

 

Set up the lights with one ABOVE you and the subject facing down at them at about a 45 degree angle.  This will be your main light.  You can use any light source really, but a constant photographic light, speedlight, or strobe in a softbox works best.  For these shots I was using a speedlight in a ProMaster Easy Fold Softbox.

 

 

Now we need a secondary light UNDER the subject facing up at them, also at about a 45 degree angle.  This will be your fill light, but for glamour shots we do turn this light up to nearly as much power as the main light.  Something as simple as a reflector will do just fine but an additional light does allow for even better lighting.  It’s easier to dial in the perfect amount of light.

 

 

Okay, so watch this video we shot of the gear we used for these shots and where they were placed ;)  Here we pull it all together for you!

 

Gear we used:

(note the links to find where they are in the shop)

Nikon D300s and D7000

Nikon 85mm f/1.8 and this one for a little less, Nikon 85mm f/1.8D

Nikon SB910, SB700, SB900 and SB800

ProMaster 24inch EasyFold Softbox

ProMaster 22inch 7-in-1 Reflector

ProMaster Reflector Boom Arm

ProMaster 7150 Tripod

ProMaster Muslin Backgrounds

cheers,

Paul at Porter’s (sportin’ a new hairdoo)

Setting Up Wireless TTL Flash with Nikon and Canon Systems

We received a lot of comments from folks wanting to learn how to set up their off camera wireless TTL systems, so we went ahead and built these little introductory videos to show you how to do it!

For Nikon

The video below will walk you through setting up Nikon’s Creative Lighting System for off camera wireless TTL.  Camera models that can use this system with a pop up flash include the D70, D70s, D80, D90, D7000, D200, D300, D300s, D700, and D800.  Speedlights that work include the SB-600, SB-700, SB-800, SB-900, SB-910 and some from other manufacturers like Nissin and Metz.

 

For Canon

The video below shows us how you would set it up on the Canon Systems.  Canon cameras that can play include the Rebel T3i/600D, T4i/650D, 60D, and 7D.  Canon Speedlites include the 270EX, 320EX, 430EX, 580EX, and 600EX-RT.  Also, there are 3rd party flashes that can work as well.

 

Okay, hope that helps!  If you need more instruction, check out these DVD tutorials available to walk you through the more advance operations of the systems:

NIKON SPEEDLIGHTS

Cheers,

Paul