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Nailing Your Niche – Tips To Go Pro

Do you dream of earning a living leveraging your photography skills? As many pro shooters will tell you, it’s a tough time to make a living behind the lens but there are also many benefits–artistic freedom, flexibility to experiment and using your creativity to earn a living.

One decision to make early on is how to differentiate your skills in a crowded and competitive marketplace. Many times people start to offer their services as a second (or third) shooter at weddings, doing portraits for friends or presenting themselves as a ‘jack of all trades’ photographer. While it’s wise to try different arenas to figure which areas offer the most potential, you may also wish to consider concentrating on a certain niche.

Take a look at the professional photographers in your area. A simple online search will likely bring several photographers’ sites offering their services. What do they claim as their specialties? Do see an area that isn’t strongly covered? In that gap you might find an opportunity to fill a void that others have yet to recognize.

Corporations often need executive headshots and supporting images to be used in company brochures, financial reports and for their online presence. If you have a passion for furnishings and interiors, there are opportunities in architectural photography. Each niche requires specialized skills and those will only come through practice, but all acclaimed photographers had to start somewhere. Sports event photography for youth leagues, as an example, is competitive but quite profitable for those who establish themselves in a particular territory.

Once you find a niche, consider finding a mentor. Get involved in a regional or national professional organization such as the PPA (Professional Photographers of America) so that you can surround yourselves with experts who are willing to share their expertise. These conferences include seminars and presentations by working professional photographers. Strong professional support can be invaluable to someone who is just getting started in the industry.

As you practice and hone your skills, you’ll need to make sure your website, Facebook profile and other social media tools include searchable phrases and tags that point to your specialty. This will take a bit of time but consistency and persistence can yield substantial results and put you on the path to success.

Cast your net wide in the beginning while keeping one eye open for those niche opportunities. You may find yourself one day as a professional offering counsel to someone just getting started.

Tele-Converters for DSLR’s


Teleconverter Tip: Sometimes we push our lenses to the limit and they require a bit of assistance to get the shot we desire. A teleconverter can quickly become your best friend in such situations. A teleconverter allows you to increase the magnification of your telephoto or telephoto zoom lens by attaching to the end of the lens. A tele-converter can also be very useful in macro photography because it can enlarge the central part of the image captured by the primary lens.

We have a variety of tele-converters for every use and budget. Tele-converters are very popular additions to many photographer’s kits, but they can come with a hidden price.

Adding tele-converter magnification can subtract camera automation. Most digital SLR’s require a maximum open aperture of at least f/5.6 in order for autofocus and autoexposure to work properly. By adding a tele-converter behind a lens we decrease the amount of light entering the camera, essentially reducing the maximum aperture. A 2X converter on a standard 75-300 f/5.6 zoom lens reduces the maximum aperture to about f/11.0.

Tele-converters have been around for decades, they do the job as advertised. However be prepared to manually focus your camera’s lens with a tele-converter mounted. Under bright, sunny conditions your camera may be able to achieve proper exposure readings, but under less than ideal conditions you will need either a hand held light meter or a workaround.

The easiest workaround is to take a meter reading through your camera before mounting the tele-converter. Make sure that the camera’s exposure mode is set to Aperture (Av) and that the reduced aperture value of the lens plus converter are dialed in. Then after mounting the converter set the camera in Manual exposure mode and dial in your previous meter reading. As the light changes the photographer may have to take new readings to compensate.

Using a tele-converter is a balance between choices. On the one hand a tele-converter is much less expensive than a new, longer lens. On the other hand the cost savings comes at the expense of a little less reliance on camera automation.

Even with the loss of some automation tele-converters remain a popular digital camera lens accessory. As long as the photographer understands the limitations imposed, a tele-converter is a great way to expand the potential of anyone’s lens kit.